Enrico's proposal from the il-mio-canto-libero field pass (2026-08-22), in his words: the only way of tagging the chords a quiet accompaniment leaves ambiguous is "to evaluate the bars from an harmony perspective (FA#7 is unusual in a song in key A) + looking at the song as a whole, and looking for repetitions of sequences" — while acknowledging it is still a very hard call.
This converges with what the measurements already concluded independently: #662's four refuted guards for #583 ended on "whatever closes #583 needs evidence the run does not carry — the key (#549), the form, or a root's runs read against each other." The three pieces:
Related: #583 (the consumer that needs run-external evidence), #549, #441, #458, #668 (the honest fallback where no evidence source reaches).
Enrico's proposal from the il-mio-canto-libero field pass (2026-08-22), in his words: the only way of tagging the chords a quiet accompaniment leaves ambiguous is "to evaluate the bars from an harmony perspective (FA#7 is unusual in a song in key A) + looking at the song as a whole, and looking for repetitions of sequences" — while acknowledging it is still a very hard call.
This converges with what the measurements already concluded independently: #662's four refuted guards for #583 ended on "whatever closes #583 needs evidence the run does not carry — the key (#549), the form, or a root's runs read against each other." The three pieces:
Related: #583 (the consumer that needs run-external evidence), #549, #441, #458, #668 (the honest fallback where no evidence source reaches).