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Read the song as a whole: section repetition and key plausibility as evidence for a bar's chord #669

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@eolivelli

Enrico's proposal from the il-mio-canto-libero field pass (2026-08-22), in his words: the only way of tagging the chords a quiet accompaniment leaves ambiguous is "to evaluate the bars from an harmony perspective (FA#7 is unusual in a song in key A) + looking at the song as a whole, and looking for repetitions of sequences" — while acknowledging it is still a very hard call.

This converges with what the measurements already concluded independently: #662's four refuted guards for #583 ended on "whatever closes #583 needs evidence the run does not carry — the key (#549), the form, or a root's runs read against each other." The three pieces:

Related: #583 (the consumer that needs run-external evidence), #549, #441, #458, #668 (the honest fallback where no evidence source reaches).

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    design-gapModel or API gap to close before dependants hit itfield-reportA take sent from the field-recording app, with the player's own account of itmodule:dspmw-dsp

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